Tag Archives: San Francisco Blues

Rick Estrin of The Nightcats



Estrin was born in San Francisco, California in 1949, and fell in love with blues after his sister presented him with Ray CharlesThe Genius Sings The Blues when he was 12. He began playing harmonica at age 15, and by age 18 was beginning to work professionally. Early in his career he played with Lowell Fulson, Z.Z. Hill, Travis Phillips, and Fillmore Slim. Estrin names Sonny Boy Williamson II, Little Walter Jacobs and Baby Boy Warren as key inspirations.  He played with and was mentored by Rodger Collins (whose 45rpm recordings include “She’s Looking Good” and “Foxy Girls” In Oakland). Estrin moved to Chicago when he was 19 and worked with bluesmen Sam Lay, Johnny Littlejohn, Eddie Taylor and Johnny Young.  He met and sat in with Muddy Waters at the Sutherland Hotel in Chicago. He told the Sacramento Bee, “Muddy started shaking his finger in my face and said, ‘You outta sight, boy! You play like a man! I know that sound. That’s my sound.’” Muddy tried to hire Estrin as a sideman but Estrin did not receive the phone call, and moved back to the Bay Area. He met guitarist Charlie Baty in 1973 and they created Little Charlie & the Nightcats based in Sacramento, California. Estrin fronted Little Charlie & the Nightcats for 30 years and performed around the world. They were nominated four times for the Blues Music Award for Band of the Year. In 2008, Baty retired from touring. Guitarist Kid Andersen joined Estrin with previous band members Hansen and Farrell and they formed Rick Estrin & The Nightcats that same year.  

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Special Guest: John Nemeth



John Németh is an American electric blues and soul harmonicist, singer, and songwriter. He has received five Blues Music Awards for Soul Blues Male Artist, Soul Blues Album, Traditional Blues Album of the Year, Instrumentalist – Vocals and Instrumentalist – Harmonica. He has recorded ten albums since 2002, having also backed Junior Watson, Anson Funderburgh and Elvin Bishop. He has opened for Robert Cray, Keb’ Mo’, and Earl Thomas.

AllMusic noted that he is a “vocalist with great range, ability, and soulfulness, Németh had also developed into a top-notch blues harmonica player…”  In 2013 alone, he was nominated five times for a Blues Music Award, making nine such nominations in total.


Special Guest: Sugar Ray Norcia



#bluesharmonica #blues #roomfullofbluesSugar Ray Norcia is an American electric and soul blues singer and harmonica player. Formerly the singer for Room Full of Blues, he is best known for his work with his backing band, The Bluetones, with whom he has released seven albums since 1980.

Mark Hummel

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Special Guest: Magic Dick



Magic Dick, (Richard Salwitz) plays harmonica for the J. Geils Band.

Salwitz was born in New London, Connecticut. He attended Worcester Polytechnic Institute, in Worcester, Massachusetts, where he met John “J.” Geils and Danny Klein and became a founding member of the J. Geils Band in 1965. Salwitz’s harmonica playing became a major and distinctive element in the J. Geils Band’s sound during their hard-rocking 1970s heyday. His performance of “Whammer Jammer” on the band’s live album Full Househas been particularly noted. In The Rolling Stone Record Guide (1979), music critic Dave Marsh described Salwitz as possibly “the best white musician to ever play blues harmonica.” He was often referred to as “Magic Dick and his Lickin’ Stick”.

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Special Guest: Angela Strehli



#antones #fabulousthunderbirds #stevierayvaughan #austinmusicians

Angela discusses her long career and talks about her friends in the music biz: Stevie Ray Vaughan, Muddy Waters, Huey Lewis, Gregg Allman, Janis Joplin and more.

In the early 1960s, Strehli learned the harmonica and bass guitar before becoming a vocalist. In 1966 she visited Chicago, and attended concerts given by Howlin’ Wolf, Muddy Waters and Buddy Guy. In her final university year, Strehli and Lewis Cowdrey formed the Fabulous Rockets. Strehli then sang as a backing vocalist for James Polk and the Brothers and assisted with Storm, which had been formed by Cowdrey and Jimmie Vaughan. In 1972, she was a founding member of Southern Feeling, along with W. C. Clark and Denny Freeman. Three years later Strehli became the stage manager and sound technician at Antone’s, a nightclub in Austin, Texas. By 1986, Strehli had recorded Stranger Blues (EP) which help launch Antone’s own record label. Her debut album was Soul Shake (1987, Antone’s Records), and she appeared on Dreams Come True, with Lou Ann Barton and Marcia Ball (1990). Her own effort Blonde and Blue (1993, Rounder Records) assisted in building the Austin, Texas blues scene, alongside nightclub owner Clifford Antone, Kim Wilson, Stevie Ray Vaughan and Jimmie Vaughan. In 1998, Strehli released Deja Blue, and Blue Highway followed in 2005.

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Chris Cain-Mark Hummel Play Live – AUDIO ONLY



Guitar virtuoso Chris Cain and Harmonica Legend play a couple songs for you live.

Mark Hummel www.markhummel.com

Chris Cain  http://chriscainmusic.com

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Special Guest: Nick Gravenites



#electricflag #sanfranciscoscene

Nick Gravenites played in clubs with Mike Bloomfield, Charlie Musselwhite and others. In 1967 he formed the Electric Flag with Bloomfield. Gravenites also wrote the score for the film The Trip and produced the music for the film Steelyard Blues.

Gravenites is credited as a “musical handyman”, helping such San Francisco bands as Quicksilver Messenger Service and Janis Joplin‘s first solo group, the Kozmic Blues Band. He wrote several songs for Joplin, including “Work Me, Lord and the unfinished instrumental track “Buried Alive in the Blues”. Gravenites was the lead singer in the re-formed Big Brother and the Holding Company (without Joplin) from 1969 to 1972. He also worked extensively with John Cipollina after producing the first album by Quicksilver Messenger Service.

Gravenites produced the pop hit “One Toke Over the Line” for Brewer & Shipley and the album Right Place, Wrong Time for Otis Rush, for which he was nominated for a Grammy Award.

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Special Guest: Elvin Bishop



Mark Hummel’s Harmonica Party brings in Elvin Bishop singer, guitarist, bandleader, and songwriter. An original member of the Paul Butterfield Blues Band, he was inducted into the Rock and Roll Hall of Fame as a member of that group in 2015 and the Blues Hall of Fame in his own right in 2016 Elvin talks about Mike Bloomfield, Paul Butterfield, James Cotton, Charlie Musselwhite. Elvin discusses searching for a singer for his hit Fooled Around and Fell In Love. Elvin talks about his days at The Fillmore for Bill Graham, and physics! #elvinbishop #paulbutterfieldbluesband #bigfuntrio

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Special Guest: Country Joe McDonald



Country Joe and the Fish formed in Berkeley, California, in 1965. The band was among the influential groups in the San Francisco music scene during the mid- to late 1960s. The Woodstock festival’s most memorable moment was McDonald’s unexpected solo performance of “The Fuck Cheer”. The audience  responded by chanting along with McDonald. McDonald’s rendition of propelled the song into the mainstream  and was featured on the Woodstock film.   The performance of the song was cause for The Ed Sullivan Show to ban Country Joe from ever booking the show. Joe discusses his early years and the forming of Country Joe and The Fish.  The legendary stories become true as Joe tells timeless stories about friends, Bob Dylan Janis Joplin, Grace Slick, Barry Melton, Jimi Hendrix and others in a career that has spanned 60 plus years. “The guitar neck turned into a snake and I had no idea what was playing.”Joe tells the story of the band taking LSD and trying to perform at the legendary Matrix club in San Francisco.

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Special Guest Peter Albin of Big Brother & The Holding Co.



Mark and Peter Albin founder of Big Brother & The Holding Company talk about San Francisco in the 60’s: Janis Joplin’s impact, and his friendship with Jett Garcia, PigPen and the Jefferson Airplane.  Peter remembers taking Jimi Hendrix to the store for beer, and watching BB King play a night of Gospel tunes the night Martin Luther King was murdered. Peter recalls the night at the Monterey Pop Festival that put the band on the map, and the argument backstage between Jimi Hendrix and The Who.

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