Tag Archives: San Francisco Blues

Special Guest: Lady Bianca



Lady Bianca is an American electric blues singer, songwriter and arranger. Lady Bianca has worked as a session singer, depicted Billie Holiday on stage, and since 1995 released six solo albums, three of which were nominated for a Grammy Award. Born Bianca Thornton, in Kansas City, Missouri, her first exposure to music was through gospel, and she studied at the San Francisco Conservatory of Music. Her first professional gig was with Quinn Harris and the Masterminds, when she was aged 17. Harris dubbed her ‘Lady Bianca’, and the combination contributed two tracks to a compilation album released by Reynolds Records in 1970.

In 1972, she played the role of Billie Holiday in the San Francisco stage production of Jon Hendricks’ Evolution of the Blues. In the mid 1970s, she worked in various clubs in the San Francisco Bay Area, where she met bass guitarist Henry Oden. They were subsequently married for 15 years. She then joined Sly and the Family Stone as backing vocalist and keyboard player, and appeared on their 1976 album, Heard Ya Missed Me, Well I’m Back. Starting in October the same year, she toured for one month with Frank Zappa in North America, and a recording of her singing “Wind Up Workin’ in a Gas Station” appeared in 1992 on You Can’t Do That on Stage Anymore, Vol. 6. The complete concert of 29 October 1976 in The Spectrum, Philadelphia (with Lady Bianca singing on several tracks) was published on two CDs by the Zappa Family Trust in 2009, entitled Philly ’76, on which she is credited as Bianca Odin. The release included the previously released version of “Wind Up Workin’ in a Gas Station,” as well as “Dirty Love” and “You Didn’t Try To Call Me.” She is also heard employing the technique of multi-phonics with her voice on a wordless solo in “Black Napkins.” After November 11, she left the band because of conflicts with Zappa.

When not touring, she performed locally in the recording studio, backing musicians such as Lee Oskar, Merle Haggard and Taj Mahal. In 1977, she co-founded the short-lived ensemble Vitamin E, and they released the commercially doomed Sharing album on Buddah Records. Lady Bianca then joined another group, Zingara, which was set up by Lamont Dozier in 1980. The trio included James Ingram, Wali Ali and Lady Bianca, but again, it did not have any lasting appeal. Between 1981 and 1986, Lady Bianca toured with and recorded backing vocals for Van Morrison, appearing on recordings such as Beautiful Vision (1982), Inarticulate Speech of the Heart (1983), Live at the Grand Opera House Belfast (1984), A Sense of Wonder (1985), and No Guru, No Method, No Teacher (1986). Lady Bianca also worked with John Lee Hooker and Willie Dixon.

In 1984, she met Stanley Lippitt, a songwriter and her eventual husband. She continued to perform locally and undertook more low-key recording work. After recording demos with Lippitt, she was noticed by Joe Louis Walker who helped arrange a recording contract. Her debut solo album, Best Kept Secret was released in 1995 on Telarc Distribution. Her backing vocals work continued in the 1990s, when she worked with Frankie Lee and Maria Muldaur. Lady Bianca’s next solo effort was the critically acclaimed Rollin’ (2001), which was released on the Rooster Blues label. Bianca formed her own record label, Magic-O Records, and with Lippitt have their own production and publishing company. Further albums were recorded and issued on Magic-O. These included All by Myself (2004), Let Love Have Its Way (2005), Through a Woman’s Eyes (2007), and A Woman Never Forgets (2009). In April 2007, at the Bay Area Black Music Awards, Lady Bianca was awarded as Best Blues Performer.

In March 2008, she was voted into the West Coast Blues Society Hall of Fame. In 2009, she appeared with Van Morrison at the Royal Albert Hall in London. Lady Bianca and the Magic-O Rhythm Band have appeared at many blues music festivals, including the San Francisco Blues Festival in 1987, the Sarasota Blues Fest in 1996, and the Monterey Bay Blues Festival in 2008. Three of her albums have been nominated for a Grammy Award: Best Kept Secret, Rollin’, and Through a Woman’s Eyes.


Special Guest: Dick Bright



The Dick Bright Orchestra has built a reputation as being San Francisco’s premier social band. They also travel to perform throughout the U.S. for conventions, corporate events, fundraisers, weddings, and private parties. Based on Dick Bright’s colorful career history, we couldn’t wait to interview him and share more with you about what makes him so knowledgable and entertaining. Enjoy! Born in Santa Monica, California, and grew up in West Los Angeles, Rod Serling was president of his junior high school, and actress Katey Sagal from Married With Children was in his high school acting class! Dick’s father was a public school music teacher at the same school for forty five years, taught private lessons, and played weddings and bar mitzvahs on the weekends. Dick attended to Palisades High School in Pacific Palisades where he played in the orchestra and took acting classes – loving both arts. “It’s why I like combining music with a flair for a show and comedy as well. Sybil Maxwell, my violin teacher, was one of the top teachers in Los Angeles (she studied with Jascha Heifetz considered the world’s greatest violinist), and I was being groomed to hopefully grow up and play in a major symphony. When I got to UC Davis I discovered girls and rock and roll. Needless to say, my classical career was over. I went on to double major in music and acting.” Dick went straight from college to play in an original rock band in Berkeley, California called Little Roger and the Goosebumps. We had a novelty hit called Stairway to Gilligan’s Island—the words from Gilligan’s Island and the music from Stairway to Heaven. Led Zepplin threatened a law suit. We got mentioned in Rolling Stone. I was hooked on show biz by then. For twenty five years Dick’s been performing the National Anthem for the Golden State Warriors and San Francisco Giants. “As a sports nut, so this is probably the biggest thrill every year — to step on the court or the field. I feel like I’m about twelve years old! Plus it’s the most nervous I get (no band to cover my mistakes!). I even got to do God Bless America at a World Series game and the anthem for the Home Run Derby when it was at AT&T Park.”


Austin de Lone – Elvis Costello, Boz Scaggs, Nick Lowe, Bonnie Rait



#elviscostello #lindaronstadt #bozscaggs #bonnieraitt #nicklowe Austin de Lone is an American keyboardist who records and tours with his own bands as well as with other artists, such as Bill Kirchen, Elvis Costello, Bonnie Raitt, Boz Scaggs, Nick Lowe, Commander Cody, and Loudon Wainwright. De Lone grew up in suburban Philadelphia, taking piano lessons at age 12. His early influences included Ray Charles and George Shearing. After stints as a student at the New England Conservatory of Music, Harvard University, and University of California, Berkeley, he moved to Greenwich Village.[3] While at Harvard, de Lone composed the song “One for One,” which was the first single released by Linda Ronstadt and the Stone Poneys. Eggs over Easy In 1969, de Lone formed the band Eggs over Easy with Jack O’Hara and Brien Hopkins.[4] In 1970, Chas Chandler persuaded the band to record in London, but those recordings were not released. A four-night-a-week residency at a pub called the Tally-Ho in Kentish Town lasted more than a year. Eggs over Easy played a blend of blues, country, and rock that became known as pub rock. Regular attendees of their shows included members of Brinsley Schwarz and BBC disc jockey John Peel. In 1972, they returned to California and released their first album Good ‘N’ Cheap produced by Link Wray. The Moonlighters De Lone moved to Marin, California in 1972, where he met Bill Kirchen, who had been performing with Commander Cody and His Lost Planet Airmen. In the late 70s, de Lone joined Kirchen’s side-project band, the Moonlighters. Their 1983 album Rush Hour was produced by Nick Lowe. Both de Lone and Kirchen later worked with Lowe and Elvis Costello. De Lone and Kirchen still record and perform together. In 2016, they released their duet album Transatlantica. The Christmas Jug Band De Lone is a member of the Christmas Jug Band, a collection of musicians who have been touring locally each holiday season since 1976, and releasing albums since 1987. The band has included musicians such as Dan Hicks, Tim Eschliman, Jim Rothermel, Lance Dickerson, Brien Hopkins, and Norton Buffalo. Richard de Lone Special Housing Project De Lone coordinates an annual fundraiser for eventual construction of the Richard de Lone Special Housing Project, a residential facility for people with Prader-Willi Syndrome, which de Lone’s son Richard is afflicted with. As part of the 2007 event, Elvis Costello reunited with Clover, the band who backed him on his first album My Aim is True.


Bill Champlin – Sons of Champlin | Chicago



Bill Champlin was born in Oakland, California on May 21, 1947 to a musical family. His grandparents, mother and sisters have all been singers. After forming the Sons of Champlin in 1967, he focused his songwriting talents on material for the Sons. “They were breathing fire. They were the most talented of all the San Francisco bands”, said Mickey Hart of the Grateful Dead. The Sons’ first album, “Loosen Up Naturally,” was released in 1969 and followed by six more albums before the Sons disbanded in 1977. After the breakup of the Sons, Bill moved to Los Angeles and worked as a session vocalist on numerous recordings from 1977 to 1985. The artists he worked with included Patti LaBelle, Lou Rawls, Elton John, Boz Scaggs, Donna Summer, Nancy Wilson, George Benson,  Jimmy Smith,  Amy Grant, Neil Diamond and Kenny Rogers. In 1978 he released his first solo album, “Single.” In 1979 he won his first Grammy award for co-writing “After the Love is Gone,” which was later recorded by Earth, Wind & Fire. During the Chicago/EWF tours in 2004 and 2005, Champlin was asked to perform this song with them, as lead singer. In 1982 he joined Chicago to record “Chicago 16.” His unique and expressive voice can be heard on “Hard Habit to Break” from Chicago 17. Bill’s 1988 recording of the song “In the Heat of the Night” was picked up as the show opener by the TV show of the same name. The following year Chicago released what turned out to be it’s biggest-selling single and their last No. 1 hit, “Look Away,” once again with Bill on lead vocal. Four more solo albums followed from Bill’s fertile mind: “Burn Down The Night” (1992), “Through It All” (1994), “He Started To Sing” (1995) and “Mayday” (1996). In July 1997 Chicago topped the adult contemporary chart with “Here in My Heart,” as the band once again turned to Bill for lead vocals. That same year also rendered the release of  “West Coast All Stars,” an a cappella project he did with Jason Scheff of Chicago and Toto’s Bobby Kimball and Joseph Williams. The Sons of Champlin reunited in 1997, with a loyal group of enthusiastic fans traveling great distances to see them perform. They recorded “Live At The Luther Burbank Center” in 1998, as well as “Secret” (CD and DVD) and “Hip Lil’ Dreams” in 2002. Bill’s solo release “No Place Left To Fall” (CD and DVD), recorded at The Barber Shop Studios in Hopatcong, NJ for the Dream Makers Music label. It was first released by JVC Japan in September 2008, as well as being released for digital downloading, and later released in Europe by Zync Music in December. The U.S. release by Dream Makers came in August 2009. On the heels of that US release and after 28 years with Chicago, Bill parted ways with the band to focus more on his solo career. “This music is callin’ me,” he said.


Johnny Nicholas: Blues Guitar Legend



Nicholas grew up in Rhode Island, United States, where he formed his first band, The Vikings. The band performed cover versions of popular rhythm and blues hits of the time, along with songs by the Rolling Stones. In the mid-1960s, he formed the Black Cat Blues Band with Duke Robillard, Fran Christina and Steve Nardella. Around 1970, he formed the Boogie Brothers with Nardella. After attending the Ann Arbor Blues Festival in 1970, the band eventually moved on to San Francisco, California in 1972 per-request of Commander Cody and His Lost Planet Airmen.

By 1974, Nicholas had moved to Chicago, Illinois and began playing with Big Walter Horton. During his time in Chicago, he would record music with Horton, Boogie Woogie Red and Robert Lockwood, Jr. In 1974, he created his own single, “Too Many Bad Habits” for Blind Pig Records. Moving to Providence, Rhode Island, he formed his own band, Johnny Nicholas and the Rhythm Rockers, which included Kaz Kazanoff on saxophone, Terry Bingham on drums, Sarah Brown on bass guitar and Ronnie Earl on electric guitar.

Nicholas began his stint with Asleep at the Wheel in 1978, when the band asked him to perform with them. During his off time, he would travel to various cities for solo shows, but would often visit Louisiana to play with Link Davis and Cajun accordion player Nathan Abshire.

By 1980, however, Nicholas decided to take time off from music in order to raise a family.  in 1991 Nicholas returned to recording blues music with Johnny Shines and Snooky Pryor on the album Back to the Country. After returning to music, Johnny has released one studio album and three live albums on Topcat Records while also returning to regular live shows.


Rick Estrin of The Nightcats



Estrin was born in San Francisco, California in 1949, and fell in love with blues after his sister presented him with Ray CharlesThe Genius Sings The Blues when he was 12. He began playing harmonica at age 15, and by age 18 was beginning to work professionally. Early in his career he played with Lowell Fulson, Z.Z. Hill, Travis Phillips, and Fillmore Slim. Estrin names Sonny Boy Williamson II, Little Walter Jacobs and Baby Boy Warren as key inspirations.  He played with and was mentored by Rodger Collins (whose 45rpm recordings include “She’s Looking Good” and “Foxy Girls” In Oakland). Estrin moved to Chicago when he was 19 and worked with bluesmen Sam Lay, Johnny Littlejohn, Eddie Taylor and Johnny Young.  He met and sat in with Muddy Waters at the Sutherland Hotel in Chicago. He told the Sacramento Bee, “Muddy started shaking his finger in my face and said, ‘You outta sight, boy! You play like a man! I know that sound. That’s my sound.’” Muddy tried to hire Estrin as a sideman but Estrin did not receive the phone call, and moved back to the Bay Area. He met guitarist Charlie Baty in 1973 and they created Little Charlie & the Nightcats based in Sacramento, California. Estrin fronted Little Charlie & the Nightcats for 30 years and performed around the world. They were nominated four times for the Blues Music Award for Band of the Year. In 2008, Baty retired from touring. Guitarist Kid Andersen joined Estrin with previous band members Hansen and Farrell and they formed Rick Estrin & The Nightcats that same year.  

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Special Guest: John Nemeth



John Németh is an American electric blues and soul harmonicist, singer, and songwriter. He has received five Blues Music Awards for Soul Blues Male Artist, Soul Blues Album, Traditional Blues Album of the Year, Instrumentalist – Vocals and Instrumentalist – Harmonica. He has recorded ten albums since 2002, having also backed Junior Watson, Anson Funderburgh and Elvin Bishop. He has opened for Robert Cray, Keb’ Mo’, and Earl Thomas.

AllMusic noted that he is a “vocalist with great range, ability, and soulfulness, Németh had also developed into a top-notch blues harmonica player…”  In 2013 alone, he was nominated five times for a Blues Music Award, making nine such nominations in total.


Special Guest: Sugar Ray Norcia



#bluesharmonica #blues #roomfullofbluesSugar Ray Norcia is an American electric and soul blues singer and harmonica player. Formerly the singer for Room Full of Blues, he is best known for his work with his backing band, The Bluetones, with whom he has released seven albums since 1980.

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Special Guest: Magic Dick



Magic Dick, (Richard Salwitz) plays harmonica for the J. Geils Band.

Salwitz was born in New London, Connecticut. He attended Worcester Polytechnic Institute, in Worcester, Massachusetts, where he met John “J.” Geils and Danny Klein and became a founding member of the J. Geils Band in 1965. Salwitz’s harmonica playing became a major and distinctive element in the J. Geils Band’s sound during their hard-rocking 1970s heyday. His performance of “Whammer Jammer” on the band’s live album Full Househas been particularly noted. In The Rolling Stone Record Guide (1979), music critic Dave Marsh described Salwitz as possibly “the best white musician to ever play blues harmonica.” He was often referred to as “Magic Dick and his Lickin’ Stick”.

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Special Guest: Angela Strehli



#antones #fabulousthunderbirds #stevierayvaughan #austinmusicians

Angela discusses her long career and talks about her friends in the music biz: Stevie Ray Vaughan, Muddy Waters, Huey Lewis, Gregg Allman, Janis Joplin and more.

In the early 1960s, Strehli learned the harmonica and bass guitar before becoming a vocalist. In 1966 she visited Chicago, and attended concerts given by Howlin’ Wolf, Muddy Waters and Buddy Guy. In her final university year, Strehli and Lewis Cowdrey formed the Fabulous Rockets. Strehli then sang as a backing vocalist for James Polk and the Brothers and assisted with Storm, which had been formed by Cowdrey and Jimmie Vaughan. In 1972, she was a founding member of Southern Feeling, along with W. C. Clark and Denny Freeman. Three years later Strehli became the stage manager and sound technician at Antone’s, a nightclub in Austin, Texas. By 1986, Strehli had recorded Stranger Blues (EP) which help launch Antone’s own record label. Her debut album was Soul Shake (1987, Antone’s Records), and she appeared on Dreams Come True, with Lou Ann Barton and Marcia Ball (1990). Her own effort Blonde and Blue (1993, Rounder Records) assisted in building the Austin, Texas blues scene, alongside nightclub owner Clifford Antone, Kim Wilson, Stevie Ray Vaughan and Jimmie Vaughan. In 1998, Strehli released Deja Blue, and Blue Highway followed in 2005.

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